The people who build the show before anyone steps on stage. Load-in, setup, show and load-out, anywhere in Poland and Europe.
They unload trucks, carry cases and cabling, assemble stage structures, set barriers, run cable, install LED panels and support the lighting and audio teams. After the show they do the same in reverse, only faster.
Everyone works in a crew under a Crew Chief who takes direction from your production manager. You do not brief individuals.


Cirque du Soleil at Tauron Arena: 92 stagehands, 1,258 hours worked. Herbalife Extravaganza at the same venue: 184 stagehands, 1,825.5 hours. Across 2025 our crews logged 119,136.5 hours on events.


The most common mistake is booking a flat crew for the whole day. Load-in and load-out need the peak, the show needs a standby team. Map the schedule with us and it usually removes a good number of billable hours.
The schedule, the venue plan and the name of the person giving instructions on site. Everything else is on us. The earlier we get the documentation, the fewer surprises appear during load-in.
Load-out after midnight is normal in this business. Our crews are used to night shifts and we rotate people on long builds so the pace does not drop.
It depends on crew size, block length and location. Send the date, venue and schedule and you get a firm rate within one working day.
Personal protective equipment and work clothing, yes. Production equipment is supplied by the organiser or the technical supplier.
Yes. Communication with an international production manager works without an interpreter.
Book a short call or send an email. You get crew availability and a quote within one working day.